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Subject: Re: Interesting CST position

Author: Enrique Irazoqui

Date: 08:10:02 06/28/00

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On June 27, 2000 at 18:13:26, Fernando Villegas wrote:

>Tricky issue is to use the "understanding" word for this kind of problems. Some
>tends at once to think of it as something with a human-like kind of
>understanding and from then on they say not just one program understand a shit.
>But as far my knowledge and experience of CSTAl tell me, this program really
>"understand" in the sense it has code lines to tackle these kinds of situations.
>That is, in hardware or software realm, understanding.
>Fernando

Fernando, take a look at this:

______________________________

The forgotten, drowsy shack
under the black pond

this cloud forgets itself
______________________________

Let us go then, you and I,
When the evening is spread out against the sky

Like a patient etherized upon a table. . . .

______________________________

One is a poem written by T.S. Eliot. The other piece, by a 2K. True Basic
program of Kemeny, consisting of an elementary set of rules and tiny databases
of articles, nouns, pronouns, adjectives, verbs and adverbs. One is poetry, the
other is garbage.

Now let's imagine that the program has a truly sophisticated set of rules and
all the vocabulary, but still no semantics, no information about the meanings of
words and how they influence each other. This program could write a perfect
sonnet, or in due time come with something starting with "Life is a tale told by
an idiot..." The similarity with Shakespeare's "Life is a tale told by an
idiot..." would be only apparent and meaningless. "Pierre Menard, autor del
Quijote" is a quite fascinating short story of Borges that talks about this.

Nevertheless, if it is a matter of constructing a formally perfect sonnet, the
machine could regurgitate one after another, and yet none of them would be
poetry. I mean that being a versifier and being a poet are very different
things, similarities notwithstanding.

If we measure (god forbid!) poetry by the formal perfection of sonnets, this
program could be a strong candidate to the Olympus, or at least to the Nobel
prize. If we don't, it would be considered as what it is: an idiotic machine
that doesn't understand a damn thing of what it does.

That's an extreme case, but to what extent do you think it applies to computer
chess? Let's say that versifying is search, and then what Tal and Spassky and
Shirov try to do is missing in CC, because it is not only difficult but it will
slow the search down and the perfect sonnet won't come in time?

At least I think we could agree about the fact that programs versify and little
else, so they play a competent and ugly game of chess, and that's why their
tactics, but seldom if ever their "ideas", are valuable to us.

Enrique



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