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Subject: Some words from Kaspy about chess beauty and computer chess.

Author: Otello Gnaramori

Date: 10:34:01 04/19/02


Excerpt from
http://www.kasparovchess.com/serve/templates/folders/show.asp?p_docID=1463&p_docLang=EN:

"It is very difficult to describe a perfect combination that can fascinate chess
admirers, especially now, in the end of the 20th century, when amateurs and
grandmasters have computers at their disposal.

Any combination, any sacrifice, can be analyzed not only by keen chess analysts
but by any person who knows a slight bit about chess, can afford a powerful
computer, and can help it move around the maze of opportunities.

Therefore, the criterion of beauty today should include the overall correctness
of the idea, even allowing for certain human defects, as there is no combination
without the partnership of two chess players.

The rightness of a combination, its harmony and accuracy, are now seen much more
quickly. It no longer takes years or months; the final verdict will be announced
in a few days or weeks.

It is clear that the ultimate combination should have a thrilling element, such
as inevitable mate or sacrifices, where one’s mind rules over matter.

It could be a combination with a mating attack, allowing a mating net to be spun
with minimal effort. This is something that everyone likes.

In the long run, the final aim of the game of chess is to mate the King of the
adversary. Unfortunately, modern defensive technique does not let us fulfill
such combinations, but nips them in the bud.

A piece and even a Pawn sacrifice are now regarded as something special, let
alone a Rook sacrifice, which has already become a relic in the games of leading
chess players, when done without an obvious combinational motive.

Moreover, legendary marches of the King through the chessboard, when White or
Black monarch has to cross the minefield under a hail of fire, are buried in
obscurity.

The time of "evergreen" and "immortal" games by Adolph Andersen has also sunk
into oblivion.
I least of all imagined that one day I would be able to revitalize the
rebellious and romantic spirit of the chessboard and to create a combination
that would conform to all of the above-mentioned severe criteria."

copyright (C) KasparovChess 2002

w.b.r.
Otello



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